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Juliette Kang Violin Recital

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--The New York Times, March 29, 1993

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ViolinistÁÙ¸®¿§ °­

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ÁÙ¸®¿§ °­Àº Çѱ¹ Æҵ鿡°Ô Ä£±ÙÇÑ ¿¬ÁÖÀÚ·Î 1992³â ½Å³â À½¾Çȸ¿¡ KBS ±³Çâ¾Ç´Ü(ÁöÈÖ:±Ý³­»õ)°ú Çù¿¬ÇÏ¿´À¸¸ç, 1995³â 12¿ù È£¾Ï¾ÆƮȦ ¸®»çÀÌƲ, 1996³â 5¿ù ·¯½Ã¾Æ ±¹¸³ ±³Çâ¾Ç´Ü(ÁöÈÖ:¹ÌÇÏÀÏ Ç÷¹Æ®´¢ÇÁ) ³»ÇÑ ¿¬ÁÖÀÇ Çù¿¬, 1997³â 8¿ù ±ÝÈ£ °¶·¯¸® ½ºÆä¼È Äܼ­Æ® µî ¿©·¯ Â÷·ÊÀÇ ³»ÇÑ ¿¬ÁÖȸ¸¦ ÅëÇØ ¸¹Àº ÆÒÀ» È®º¸ÇÏ°í ÀÖ´Ù.

´º¿å ŸÀÓÁö´Â ±×³àÀÇ ¿¬ÁÖ¸¦ "È®½Å°ú ¿ì¾ÆÇÔÀÌ °¡µæÂù µµÀüÀûÀÎ ¿¬ÁÖ(´º¿å ŸÀÓÁî 1993³â 3¿ù 29ÀÏÀÚ)"¶ó°í ÆòÇßÀ¸¸ç ¿ö½ÌÅæ Æ÷½ºÆ®´Â "ÁÙ¸®¿§ °­Àº 18¼¼ÀÇ ³ªÀÌ¿¡ ÀÌ¹Ì ¾ÈÁ¤µÈ Å×Å©´Ð°ú õºÎÀûÀÎ °íµµÀÇ À½¾Ç¼º, ´ë´ÜÈ÷ Ç¥Çö·ÂÀÖ´Â ÅæÀ» Áö³æ´Ù(1994³â 3¿ù)" °í ÆòÇß´Ù.

ÃÖ±Ù¿¡ ÁÙ¸®¿§ °­Àº ±ÝÈ£ ±×·ì ¹Ú¼º¿ë ¸í¿¹È¸ÀåÀÌ ¿î¿µÇÏ´Â ¾Ç±âÀºÇàÀÌ ¿µ±¸ ÀÓ´ëÇÑ 1740³â Á¦ÀÛµÈ ¸óŸ³Ä³ª(ì¥, Montagnana, 1690-1750)¸¦ ±âÁõ¹Þ¾Æ ´Ù½Ã Çѹø È­Á¦¸¦ ¸ðÀ¸±âµµ ÇÏ¿´´Ù. 

Pianist ¸áºó þ (Melvin Chen)

¹Ì±¹ÀÇ Å׳׽à ³»½¬ºô Ãâ½ÅÀÇ ¸áºó þÀº ÇϹöµå ´ëÇп¡¼­ È­ÇÐÀ» Àü°øÇÏ¿´À¸¸ç µ¿½Ã¿¡ ÁÙ¸® À½¾ÇÇб³¿¡¼­ ÇǾƳë¿Í ¹ÙÀ̿ø°À» Àü°ø, ÇÐÀ§¸¦ ¹Þ¾Ò´Ù. ÁÙ¸®¾îµå À½¾ÇÇб³¿¡¼­ ½Ã¹«¾î ¸³Å²(Scymour Lipkin)°ú ±Û·» µñÆ®·Î(Glenn Dicterow)¸¦ »ç»çÇÏ¿´À¸¸ç ¹Ì±¹ Á¤ºÎÀÇ ±³À°ºÎ ÀåÇбÝÀÎ Á¦ÀÌÄß ÀðºñÃ÷(Jacob Javits)¿Í ·ç½º. D. µµ¼¼¸¸(Ruth D. Dosenman) ±â³ä ÀåÇбÝÀ» ¹Þ¾Ò´Ù. ÇϹöµå¿Í ÁÙ¸®¾îµå ÀÔÇÐ Àü¿¡´Â ¿¹ÀÏ ´ëÇп¡¼­ È­Çаú ¹°¸®ÇÐÀÇ ÇлçÇÐÀ§¸¦ ¹ÞÀº ¹Ù ÀÖ´Ù. ¿¹ÀÏ ´ëÇп¡ ´Ù´Ï´Â µ¿¾È º¸¸®½º º£¸£¸¸(Boris Berman)°ú ÀÌ´Ù Ä«¹ÙÇǾÈ(Ida Kavafian)À» »ç»çÇÏ¿´´Ù. »ì¸®º£¸®, ³×½¬ºô, ¿¹ÀÏ ½ÉÆ÷´Ï µî ¿©·¯ ¿ÀÄɽºÆ®¶ó¿Í Çù¿¬ÇÏ¿´À¸¸ç Å׳׽Ã, ´º¿å, ¸Þ»çÃß¼¼Ã÷ µîÁö¿¡¼­ µ¶ÁÖȸ¸¦ °¡Á³´Ù. ¶ÇÇÑ ¾Æ½ºÆæ ¹ÂÁ÷ Æ佺Ƽ¹úÀÇ ÀåÇлý, Åʱۿìµå ¹ÂÁ÷ Æ佺Ƽ¹úÀÇ ÇǾƳë Çù¿¬ÀÚ µî ¿©·¯ ¹ÂÁ÷ Æ佺Ƽ¹ú¿¡µµ Âü°¡ÇÏ°í ÀÖ´Ù.

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18¼¼ÀÇ ³ªÀÌ¿¡, ÁÙ¸®¿§ °­Àº ÀÌ¹Ì ½Å·ÚÇÒ ¸¸ÇÑ Å×Å©´Ð°ú ´ë´ÜÇÑ À½¾Ç¼º,Ç¥Çö·ÂÀÖ´Â ÅæÀ» º¸À¯ÇÏ°í ÀÖ´Ù. ±×³à´Â ¹Ù¸£Åå <¼Ò³ªÅ¸ Á¦2¹ø>ÀÇ ¼º°¡½Å ¿ä±¸³ª »ç¶ó»çÅ× <Ä«¸£¸à ȯ»ó°î>ÀÇ ³¶¸¸ÀûÀÎ È­·ÁÇÔ°ú ¸¸³ª¼­µµ ´çȲÇÏÁö ¾Ê¾Ò´Ù.

"At 18, Kang is already technically confident, highly musical and blessed with a very expressive tone. She was unruffled whether encountering the prickly demands of Bartok's Sonata No.2 or the romantic flourishes of Sarasate's 'Carmen Fantasy'."                                            The Wahington Post, March, 1994

ªÁö¾ÊÀº ÀþÀº °ÅÀåµéÀÇ ¿ª»ç¿¡ ÁÙ¸®¿§ °­Àº ÀÚ½ÅÀÇ ¹ßÀÚÃ븦 ³²±æ Áغñ°¡ µÇ¾îÀÖ´Â µíÇÏ´Ù. °­ÀÌ ¼±ÃµÀûÀ¸·Î ¼ÒÀ¯ÇÑ ÀÚÁú-³î¶ø°í Á¤±³ÇÑ À½Á¶, °­ÇÑ Àü´Þ·Â, ³î¶ó¿î ±â±³¿Í ¾î¸¶¾î¸¶ÇÑ ½ºÅ¹̳Ê-Àº ±×³àÀÇ ½Â¸®¸¦ º¸ÀåÇÏ°í ÀÖ´Ù.

On the basis of her performance, it seems certain that even in a world not short of young virtuosi touring competing and setting out on careers. Kang seems ready to make her mark. The qualities Kang has in abundance- astonishingly precise intonation, strong projection, easy virtuosity and enormous stamina-ensured that she would triumph where so many others are lucky just to survive                 Calgary Herald, February 27, 1994

ÁÙ¸®¿§ °­Àº ±×³àº¸´Ù À­ ¼¼´ëÀÇ ¿¬ÁÖÀÚµéÀÌ ´©¸®°í ÀÖ´Â À½¾ÇÀûÀÎ ¾È¶ôÇÔ°ú º¸È£¸Á¿¡ °ú°¨È÷ µµÀüÇÏ´Â, ¶Ù¾î³­ ½Ç·ÂÀÇ ¿¬ÁÖÀÚÀÌ´Ù.

"Kang is another of the stunning young violinists who come along regularly to challenge the musical comfort and security of their elders."                                  Houston Chronicle, January 18, 1993

ÈåÆ®·¯ÁüÀ» ã¾Æº¼ ¼ö ¾ø´Â Á¤È®¼º°ú º¹ÀâÇÑ À½ÀÇ ±×¹°¸ÁÀ» ÇìÃijª°¡´Â ÃßÁø·Â, ±×¸®°í ÀÛÀº ü±¸¿¡¼­ ºú¾î³»´Â °­·ÂÇÑ ¼Ò¸®´Â ûÁßµéÀÇ Åº¼ºÀ» ÀھƳ»±â¿¡ ÃæºÐÇß´Ù. È£¾Ï¾ÆƮȦ ¹«´ë°¡ Á¼¾Æ º¸ÀÏ Á¤µµ¿´´Ù. °æÄèÇÏÁö¸¸ °áÄÚ °¡º±Áö ¾ÊÀº, °­·ÂÇÏÁö¸¸ °ÅÄ¥Áö ¾ÊÀº ¿¬ÁÖ¿´´Ù. ºû³ª´Â º¸¼®ÀÇ °áÁ¤Ã¼¸¦ µû¶æÇÑ À½»öÀ¸·Î °¨½Î´Â ³î¶ó¿î ¼­Á¤¼ºÀº Çö´ë°î¿¡¼­µµ Áø°¡¸¦ ¹ßÈÖÇß´Ù.

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